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ARGUING OVER FONTS: A TYPEFACE TRAGEDY AT VPN NEWS

“Serif and Circumstance as Developers Battle Hacks Over Helvetica”
It was the best of times, it was the worst of times, it was the time the entire VPN News editorial team found itself embroiled in a bitter, internecine war with its own developers over, yes, really fonts.
Somewhere between the collapse of legal aid and the rising tide of state surveillance, the good folk at www.vpnnews.co.uk decided it was finally time to revamp the site. A noble endeavour, one might think, particularly for an organisation supposedly devoted to shedding light on injustice, government overreach, and the occasional knife crime story.
Unfortunately, in their rush to drag the website out of the late 90s and into something resembling modernity (read: fewer PDFs, more GDPR pop ups), no one anticipated that the most protracted, vindictive, and ideologically intractable skirmish would not be with a libel lawyer, a retired High Court judge or even Ofcom, but with their own front-end developer over the correct use of Times New Roman.
Gutenberg Wept
It all started with a meeting. Always a mistake.
A John and Somesh, developers, who clearly spend more time communing with React components than actual humans, suggested, nay, insisted, that the site should abandon its current WIX “dated” look in favour of a clean, minimalist design “optimised for accessibility and engagement.” Which, translated into English, meant white space, fewer words, sans serif fonts and heven forbid, dark mode.
Enter the editor in chief, Ben, a world-weary journalist who may have survived everything from Fleet Street closures to Leveson. The sort person who still believes subeditors should wear ties and that a story isn’t ready until it has been printed, cut out, and annotated in red biro by a man called Joe.
Jay in the West Midlands, recently freed from the opium den that is a daily court listing, reportedly muttered, “If you make me publish Supreme Court rulings in Arial, I’ll resign.” This was taken as a joke. It wasn’t.
“The Font of All Evil”
What followed was a scene reminiscent of the Treaty of Versailles, but with more sarcasm and less chance of long term peace.
There were debates, heated ones, over line height. Columns. Kerning. “How dare you touch our em dashes?” hissed one reporter, as if the punctuation were somehow unionised. The dev team, to their credit, tried to explain that using 14 different fonts on one page was perhaps not “good practice” and might in fact be the cause of the site’s notoriously slow load times, not to mention the minor issue of every article looking like it was laid out by someone in the throes of an existential crisis.
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